Glaswegian three-piece Fatherson have shared a poignant new live session video for a new song titled “Honest To God”. The track comes on the heels of the announcement of their first album in three years, “Normal Fears”, which sees the band return, but not as you know them.
The album is a lush lesson in letting go. Gorgeous, groove-led singalongs steeped in electronics find the band in a playful mode, putting break-ups, old ways of working and everyday worries behind them to start afresh, sunny side up.
“Honest To God” is central to the new album, it’s themes, and the band’s move into a new musical direction; it’s a beautiful, bare piano ballad about a dark spell in 2019 when Fatherson struggled to see their future direction. The accompanying live session sees frontman Ross Leighton give a highly emotive and intimate performance of the track, showcasing forlorn piano lines and a truly powerful vocal performance.
Alongside their new material, Fatherson also announced details of a new headline UK tour for March 2022 in support of “Normal Fears”. The dates will follow their recent October tour which saw them play to multiple sold-out crowds. The band are renowned for their encapsulating live performances, which have seen them tour alongside the likes of Lewis Capaldi on his EU arena dates and at Wembley Arena, as well as playing with Frightened Rabbit, Biffy Clyro, Idlewild, Augustines, Enter Shikari, Amber Run, Twin Atlantic, and more.
Live dates – March 2022:
11: Glasgow, Barrowland
17: Aberdeen, Beach Ballroom
18: Newcastle, Northumbria University
19: Leeds, The Wardrobe
20: Manchester, Club Academy
22: Stoke on Trent, The Sugarmill
23: Birmingham, Castle & Falcon
24: Nottingham, The Bodega
25: Cambridge, The Portland Arms
27: St. Albans, The Horn
28: Bristol, Exchange
29: London, Islington Assembly Hall
The follow-up to 2018’s “Sum Of All Your Parts”, “Normal Fears” was largely written remotely, with Ross in his native Kilmarnock and bassist Marc Strain and drummer Greg Walkinshaw in Glasgow.
To help shake up their sound, the trio invited a cast of friends to contribute. Ross’s first remote writing session was with Danny Morgan-Ball. The plan was just to jam. But after a natter, the pair wrote two songs in under two hours – one of which was the album’s lead single “End Of The World”. The other was the widescreen “Love For Air”, on which sinuous melodies capture the rush of falling in love and a choir-backed chorus recalls Songs From The Big Chair-era Tears For Fears.
Ross wrote “Normal People” with Rich Turvey (Blossoms, Courteeners), inspired by both watching the TV series of the same name and Ross’s new relationship. “The Feeling and The Sound” is sun-soaked pop which sums up the redemptive nature of “Normal Fears” and was co-written with Seton Daunt (Kylie, Amy MacDonald). The shimmering “Dive” was inspired by Haim, features Amber Run’s Joe Koegh on backing vocals and nods to Radiohead in its middle eight.
When lockdown lifted in early summer, Fatherson returned to their Glasgow studio and, in October, the band decamped to RAK studios in London with producer Steph Marziano (Hayley Williams, Denai Moore, Mumford & Sons) and engineer Isabelle Gracefield (Dua Lipa, Stormzy), where “Normal Fears” took yet another twist. Rather than record everything live, as Fatherson previously had, songs were torn apart and reassembled, pianos fed through cassette players and ping pong balls introduced.
Ross played the studio’s precious acoustic guitar which was used on Radiohead’s Fake Plastic Trees and is kept under lock and key. Drunk on cocktails one night, everyone took turns to whistle on the groovy 365, which features more ping pong balls in its middle eight.
1. End Of The World
2. Love For Air
3. Normal People
5. Do It For Yourself
6. Honest To God
7. That Feeling and the Sound
9. Better Friend
10. All The Time
12. Crying Wolf
13. Wreckage in the Rubble